#very very great

[technovillain]

i come from the universe where everything is the same except disney heroines get like an ounce of their fathers' obviously dominant genes and their clothes are like 80% more historically accurate. it's beautiful here.

[2] [3]

[voicesbyzane]

He looks like a tender giant who found you in his home and instead of squashing you like a bug offered you a warm meal

[salamispots]

it got turned into a 17" x14" pillow instead haha

[poorly-drawn-mdzs]

Penelope's final gambit, you will always be famous, no matter the subtext.

[tendersugars]

[isjasz]

[mob killing noises] BAM!!!!1111!!

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[biggest-gaudiest-patronuses]

"you should wake up early to watch the sun rise!" is actually the dumbest possible way to guilt trip people into getting up early. hello, the sunset? exists too? every day even. and is equally gorgeous. and fits into many people's free time. you're awake, work's over and holyshit--THATSA SUNSET BABY!!!

[shepscapades]

Surely this will have no negative consequences whatsoever!

[thebreadmantm]

Georgie my beloved ✨

(Plus the admiral)

[lazylittledragon]

lae'zel doing her auntly duties (obligatory)

[elodieunderglass]

hi. what do you mean

[katsinspats]

Thematically appropriate comic for Make a Terrible Comic Day!!

I saw the original post this morning and it made me get out of bed to make something, so thank u Pseudonym Jones mission accomplished

[poorly-drawn-mdzs]

You're just not toxic enough.

[qvert]

New Hobbies

[reasonsforhope]

"For most people, a rat is at best an unwelcome guest, and at worst, the target of immediate extermination. But in a field clinic in Tanzania, rats are colleagues—heroes even.

Far from a trash bin-dwelling NYC street rat, the African giant pouched rat is docile, intelligent, easier to train than some dogs, and for East Africans, the performer of lifesaving tuberculosis diagnoses every day.

400,000 new cases of tuberculosis (TB) were estimated to have been prevented by these rats, whose sense of smell would make a bloodhound take notice. As [TB is] the number-one killer among infectious diseases worldwide, many of those 400,000 can be translated into lives saved.

“Not only are we saving people’s lives, but we’re also changing these perspectives and raising awareness and appreciation for something as lowly as a rat,” said Cindy Fast, a behavioral neuroscientist who coaches the rodents for the nonprofit APOPO.

“Because our rats are our colleagues, and we really do see them as heroes.”

APOPO uses giant pouched rats to sniff out traces of TB in the saliva of patients. In parts of Tanzania, a saliva smear test under a microscope by a human may only be 20-40% effective at detecting TB.

By contrast, a giant pouched rat like Ms. Carolina, a now-retired service rat who worked for APOPO for 7 years, raised the rates of detection on TB samples by 40% in the clinic where she worked.

Pictured: An APOPO employee with one of their trained rats

It would take 4 days for scientists to analyze the number of samples that Carolina could screen in 20 minutes. For that reason, when Carolina retired last November, a party was thrown at the clinic in her honor, and she was given a cake.

TB is sometimes thought of as a thing of the past—a disease for which doctors used to prescribe “dry air,” leading a modern sense of humor to muse at the antiquated, pre-antibiotic medical advice.

But it remains the number-one cause of death globally from a single infectious pathogen, and Tefera Agizew, a physician and APOPO’s head of tuberculosis, told National Geographic that once people see what the nonprofit’s rodents can do to slow the spread, they “fall in love with them.”

3,000 times in her career did Carolina detect one of the six volatile compounds that can be used to identify Mycobacterium tuberculosis, and she got a hero’s send-off to a special compound to live out the rest of her days with her closet friend and sniffer colleague Gilbert, in a shaded enclosure dubbed “Rat Florida.”

“We’ve made special little rat-friendly carrot cakes with little peanuts and things on it that the rat would enjoy,” Fast said. “Then we all stand around and we clap, and we give three cheers, hip hip hooray for the hero, and celebrate together. It’s really a touching moment.”

APOPO has made headlines for its use of these rats in other lifesaving tasks as well: landmine clearance.

One of the world’s great underreported scourges (a lot like TB, coincidentally) is landmine contamination. There are 110 million landmines or unexploded bombs in the ground right now in about 67 countries, covering thousands of square miles in potential danger. Thousands of civilians are killed or injured by these weapons every year.

GNN reported on APOPO’s demining efforts using pouched rats back in 2020. One rat named Magawa alone identified 39 landmines and 28 items of unexploded ordnance across an area the size of 20 football fields.

If at the start of this story you didn’t like rats, maybe Magawa and Carolina will have changed your mind."

-via Good News Network, March 31, 2025